A speculative scenography of the cult magazine Računari, 23 years after the last one, inviting visitors to imagine its historically controversial cover pages. Surrounding it is a chronological archive of chosen covers, from the famous number 11 showing female legs for the first time, up to more explicit imagery from the middle of the 90’s.
The Terms of Service Fantasy Reader is an ad-hoc public rehearsal of dramatizing Terms of Service agreements as an inquiry into the opaque conditions of consent.
The Graphical User Intarface of the '80s explores the computer magazines of the '80s as key years for building the user and market imaginary around personal computers by placing visuals from the magazine in a format of an Instagram-like endless scroll.
A visual analysis and tracing of algorithmic data policing among the main social media actors, during the period when content moderators were "released home" due to COVID-19 social distancing measures
What is This Exhibition Doing Here? Is the title of a performance that took place during the finissage of the exhibition Transpositional discourse of identity and space in SANU (Serbian Academy of Science and Art) gallery, Novi Sad, Serbia.
I had the luck of being invited to develop Transmitting is a two way channel into a real black box broadcasting station at the Art+Science:Makers exhibition, held in several locations in 2018. And even more luck to be among the few chosen works to be shown at the University of Philosophy in Belgrade during January and February 2019.
Interactive installation and performative intervention conducted during the Internet Governance Forum 2019, using the open-source GPT-2 model to generate synthetic text based on the input of policy papers and transcripts from previous sessions at the IGF.
On the surface level we see Hedy Lamarr, the Holywood diva, but also inventor (mostly associated with the history of bluetooth technology), surrounded by ornaments.
Painters disconnected is a series of mobile phone screnshots showing Google image search for paintings of famous painters as they are shown before the web pages load. What they reveal is a mosaic of images with a predefined layout and color scheme for each search/artist.
Feminist typewriter is a performance of notation and feminist inscribing into history, as well as a reference to historical female guided writing through dictation and typing of dominant authoritative texts.
OSlove reflects on the personal attachment to one's interface of choice in daily computing activity, a.k.a the operting system. Whether the shiny icons, or the familiar layout, or the tedious customization, there are features, or possibilities, or politcs that tie us to a particular set of applications and operating systems.
Global intelligence files is a piece of poetic computation and a synthesized version of the children’s game Chinese whispers, continuously translating leaked content from a secret service agency, such as emails that refer to language and Google translate as a legitimate method for creating “intelligence”.
The project transforms large closed objects into a work of public art, made by the designers and artists of public space, the city developers and policy makers.
A web and electronic art intervention that allows users to broadcast whatever they type in their browsers via Google's text to speech service on public FM radio.
A series of alternative GPS softwares that questions the spaces and boundaries of belief in technology.
The South Collection is an intervention in public space through an identity correction creating an art collection out of rejected architecture and monuments.
Exercises in style of the everyday are an artistic exploration of language and translating- interpretation in the age of software mediated information using Google translate and the method of Chinese whispers
Serbian Railway Files is documentary exploration of the Serbian Railways from a personal perspective of being their traveller for 4 years on a weekly basis.
An intervention in public space looking at the fruitful symbiosis of viruses and networks as contageous walled gardens, on the example of the H1N1 epidemic of 2010.
Candy 2.0 is an edible interpretation of the semantic web and online communication through the means of a candy wrapper design
investigates the assumption connected to photography as a document created by conscious decision, as well as the impact of technology on everyday perception, and consequently, principles of framing.
On art and logic is an intervention on or within buildings of art institutions. a text inspired by dada, the philosophy of Ludwig Wittgenstein and the contemporary diffusion of artistic practices was appearing on the streets of Belgrade, Novi Sad and Zagreb.
A remediation of Post Secret, a website dedicated to people's secrets. The website posts anonymous contributions scanning contributor submissions. Contributors submit their personal secrets in the form of a physical postcard made with collage technique, which serves to both anonymize the author as well as to color the inner world and emotional landscape of a person.